Sam's Movie Review archive

Reviews prior to 2018

  

• All Eyez on Me (2017)
• American Sniper (2015)
• Atomic Blonde (2017)
• Avengers
  • Avengers: Age of Ultron (2015)
• Baby Driver (2017)
• The Big Short (2015)
• Book of Henry (2017)
• Can We Take a Joke (2016)
• Captain America: Civil War (2016)
• Darkest Hour (2017)
• Deepwater Horizon 
  • ​​Deepwater Horizon and Visual Storytelling
• Detroit (2017)
• Divergent  Series 
  • Allegiant
• Dunkirk (2017)
• The Exception (2017)
• Eye in the Sky (2016)
• Fantastic Beasts and How to Find Them
• ​The Florida Project (2017)
• The Founder (2016)
• Free State of Jones (2016)
• The Great Gatsby (2013) 
• Guardians of the Galaxy Vol 2 (2017)
• Hacksaw Ridge (2016)
• Hell or Highwater (2016)
  • Narrative storytelling and the role of guns
• ​Hitman's Bodyguard (2017)
• Kong: Skull Island (2017)
• The Hunger Games
  • The Hunger Games (2012)
  • Catching Fire (2013)
  • Mockingjay (2015)
• The Hunting Ground (2015)
• Hidden Figures (2016)
• Interstellar (2014) 
• Jack Reacher: Never Go Back
• Jason Bourne (2016) and visual      storytelling 
• Joy (2015)
• La La Land (2016)
• Logan      (2017)
• The Lone Ranger (2013)
• Loving (2016)
• Magnificent 7 (2016)
• Man of Steel (2013) 
• Manchester-by-the-Sea (2016)
• Marshall (2017)
• ​Megan Leavy (2017)
• Molly's Game (2017)
• Moonlight (2016)
• Pirates of the Caribbean
  • Dead Men Tell No Tales (2017)
  • ​Hollywood vs real world of pirates
• The Post (2017)
• The Promise (2017)
• The Shape  of Water  (2017)
• Silence (2016)
• Snowden (2016)
• Star Trek
  • Star Trek: Into Darkness (2013)
  • Star Trek Beyond (2016)
• Star Wars
  • Rogue One: A Star Wars Story (2016)
• A United Kingdom
  • ​Commentary on freedom in A      United Kingdom
• Valerian and  the City of a      Thousand Planets (2017)
• The Wolverine (2013)​
• Wonder Woman (2017)
  • 5 not so obvious things to love about Wonder Woman
  • Wonder Woman Schools James Cameron on Strong Female      Characters