Sam Staley

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Sam Staley

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Sam's Movie Review archive

Reviews prior to 2019

  *Designates academy award nominee. 


Reviews for 2019 can be found here.

Reviews for 2018 can be founder here. 

 

  • 42 (2013)
  • A Star is Born (2018)*
  • Adrift (2018)
  • All Eyez on Me (2017)
  • American Sniper (2015)
  • Atomic Blonde (2017)
  • Avengers
    • Avengers: Age of Ultron (2015)
    • Avengers: Infinity War (2018)* 
  • Baby Driver (2017) 
  • Dawn Patrol (1938)
  • Bird Box (2018)
  • The Big Short (2015) 
  • Black Panther (2018)*
  • Blackkklansman (2018)*
  • Bohemian Rhapsody (2018)*
  • Book of Henry (2017)
  • Bumblebee (2018)
  • Can We Take a Joke (2016, documentary)
  • Captain America: Civil War (2016)  
  • Crazy Rich Asians (2018) 
  • Darkest Hour (2017)
  • Deepwater Horizon 
    • ​​Deepwater Horizon and Visual Storytelling
  • Detroit (2017)
  • Divergent  Series 
    • Allegiant
  • Dunkirk (2017)  
  • Equalizer 2 (2018)
  • The Exception (2017)
  • Eye in the Sky (2016)
  • Fantastic Beasts and How to Find Them (2017)  
  • The Favourite (2018)*
  • ​The Florida Project (2017)
  • The Founder (2016)  
  • Free Solo (documentary) (331)*
  • Free State of Jones (2016)
  • The Great Gatsby (2013)  
  • Green Book (2018)* 
    • Review & Analysis of Green Book 
    • My essay on Green Book and the 2019 Oscars
  • Guardians of the Galaxy Vol 2 (2017)  
  • The Guernsey Literary & Potato Peel Pie Society (2018)
  • Hacksaw Ridge (2016)
  • Hell or Highwater (2016)
    • Narrative storytelling and the role of guns
  • ​Hitman's Bodyguard (2017) 
  • Kong: Skull Island (2017)  
  • Hostiles 
  • Hotel Artemis (2018)
  • The Hunger Games
    • The Hunger Games (2012)
    • Catching Fire (2013)
    • Mockingjay (2015)
  • The Hunting Ground (2015)
  • Hidden Figures (2016)  
  • If Beale Street Could Talk (2018)*
  • Interstellar (2014) 
  • Jack Reacher: Never Go Back
  • Jason Bourne (2016) and visual storytelling 
  • Joy (2015)  
  • Jurassic World: Fallen Kingdom (2018)
  • La La Land (2016)  
  • Little Pink House (2018)
  • Logan  (2017)
  • The Lone Ranger (2013)
  • Loving (2016)
  • Magnificent 7 (2016) 
  • Man of Steel (2013) 
  • Manchester-by-the-Sea (2016)
  • Marshall (2017)  
  • Mary Poppins Returns (2018)*
  • ​Megan Leavy (2017)  
  • Mission Impossible: Fallout (2018)
  • Molly's Game (2017)
  • Moonlight (2016)  
  • Ocean's Eight (2018)  
  • On the Basis of Sex (2018) 
  • Pirates of the Caribbean
    • Dead Men Tell No Tales (2017)
    • ​Hollywood vs real world of pirates
  • Pope Francis (documentary) (2018)
  • The Post (2017)
  • The Promise (2017)  
  • Ready Player One (2018)*
  • RBG (2018, documentary)*
  • Roma (2018)*
    • My essay on Roma and the 2019 Oscars
  • Set It Up (2018)
  • The Shape  of Water  (2017)
  • Silence (2016)
  • Snowden (2016)  
  • Solo: A Star Wars Story (2018)*
  • Spider-Man: Into the Spider-Verse (2018) 
  • Star Trek
    • Star Trek: Into Darkness (2013)
    • Star Trek Beyond (2016)
  • Star Wars
    • Rogue One: A Star Wars Story (2016)
  • Tomb Raider (2018)
  • A United Kingdom (2017)
    • ​Commentary on freedom in A United Kingdom
  •  Valerian and  the City of a  Thousand Planets (2017)
  •  Vice (2018)*  
  • Waco (2018, Netflix series)
    • Listen to my syndicated radio interview on the series 
  • The Wife (2018)*
  • Will You be My Neighbor? (2018, documentary) 
  • The Wolverine (2013)​
  • Wonder Woman (2017)
    • 5 not so obvious things to love about Wonder Woman
    • Wonder Woman Schools James Cameron on Strong Female  Characters

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